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Primary Project

7/10/2018

 
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Cutting off options is one of the worst feelings. This is why so many people hate making decisions; ‘decision’ means “to cut off.” It’s also a major reason why we procrastinate (or feel like we do), and it’s one of the major root causes of clutter. We like to feel surrounded by possibilities and potential. We like it even when maintaining that illusion of options is precisely what’s holding us back.

This is why I recommend choosing and focusing on a primary project.

It came to me just now, while I was brushing my teeth, in fact. I’m writing this at what is technically past my bedtime, because I know otherwise I’ll toss and turn writing it in my head. This is how we like to think of inspiration, as this external, spiritual force that strikes us like a lightning bolt from an ethereal weather system. We like it, even though when it actually happens it’s terribly inconvenient! We like it, even when it tends to result in years stacked upon many years of unproductive dallying and lack of any measurable result.

This is the year I’m dedicating to tying off old cords, closing open loops, and deciding once and for all whether to finish certain projects, schedule them, or jettison them entirely. Supposedly that is my primary project. It’s the middle of the year and I haven’t actually finished anything.

These are the projects that, if asked, I would have to define as “current”:

A novel; a non-fiction book; yet a different novel; the new podcast; a cross stitch that is maybe half done; an attempt to learn to juggle/ride a unicycle/solve a Rubik’s cube/do the splits/this is getting embarrassing, but the gear is everywhere; clearing the data off my old phone so I can sell it; getting an orange belt in Muay Thai; finishing my Advanced Communicator Silver in Toastmasters; putting together a workshop; this blog of course

*snort*

Of COURSE there are more. It’s so much worse than it looks.

The trouble with being a multi-potentialite is this tendency to have eighty things going at once, making 1% progress on all of them. It means we never finish anything, we never build a reputation (or at least not one we’d want), we have no legacy, we blow people off and we flake out.

All the time I seem to want to prioritize on learning circus tricks is time taken away from a bunch of finite projects, many of which are at the 80-90% mark.

Why wouldn’t I want to finish them? It’s not like I’m in any danger of running out of ideas, foolish, impractical, brilliant, fun, interesting, or silly as they might be.

I’m better than I used to be. That’s the whole and entire point of a growth mindset, right? To be better than we used to be, and to strive for more? I do pride myself on publishing a blog post every business day. I’m also making steady, measurable progress in both public speaking and martial arts. That’s three things! If I continue to do those three things, then eventually I’ll be a sixth-degree black belt, a Distinguished Toastmaster, and author of a blog that just keeps going and going.

Then what?

This is what we always have to ask ourselves about our projects. Why are we doing them?

Is it just to have something to keep our hands busy? In that case, we’re ever and always going to have some knitting or crochet or embroidery or hand-stitching or beading or sanding or what-have-you. If the goal is to fill the days and evenings, then we might as well finish our projects one after another. We might as well start trying to make a dent in our accumulated supplies and materials (even though, honestly, we have enough for three lifetimes divided between four people). We could even, dare I say it? We could even finish ALL OF IT. We could wake up one fine morning with zero supplies, zero materials, zero patterns, zero plans, and we could simply wander around the craft store and come home with something new.

There’s no risk in finishing anything!

Are we doing projects as proof of concept? Demonstrating that we have a clear intention of mastering a particular art? Writing, painting, dancing, sculpting, carving? In that case, it’s perfectly fine to have more false starts and bits and pieces of something than we do actual finished work. We simply have to accept that we’ll never impress ourselves, we’ll never reach a point of satisfaction with our own work, because true artists pretty much never feel that way. Never being quite as good as your interior vision is the mark, after all. That’s exactly what sets us apart. We have to ask whether anyone is ever going to see our work, which is really asking if we care about making something that matters. To anyone.

What I’ve just distinguished is the difference between an art and a craft, between an artist and an artisan, or perhaps a hobbyist. All of them are fine but they do have different goals and different processes.

I’m also distinguishing between the finite and the infinite. The finite project is the specific book; the infinite project is to write. The finite project is the afghan; the infinite project is, from what I’ve seen, to collect yarn. Wait, um? Have I ever asked myself to identify my infinite project?

Most of my projects are signs of curiosity. I get interested in something and I want to dive in and immerse myself in it. My interests tend to layer themselves; I rarely drop them. That’s why I have a parrot, and a twenty-year-old bicycle that I still ride, and a vast recipe collection, and a tub full of backpacking equipment. I also tend to have a certain amount of random books and objects that signal my intention for future use. I drive myself crazy doing this, yet I do it.

I have all this stuff, but what I don’t have is a published novel. I don’t have a workshop on the calendar. I don’t have a podcast episode recorded. I don’t necessarily have to choose between these distinctly different projects; I do have to make some solid choices about where I’m putting my primary focus most days of the week. Do one until it’s done, and then do the other until it’s done, and then pick something else. Inexperience with this condition is probably why there are six juggling balls on my desk. What’s going to be my primary project for the next month? What will I have to show for the next three months?

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    I've been working with chronic disorganization, squalor, and hoarding for over 20 years.  I'm also a marathon runner who was diagnosed with fibromyalgia and thyroid disease 17 years ago.

    I have a BA in History.

    I live in Southern California with my husband and our pets, an African Gray parrot and a rat terrier.

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